FROM TRADITIONAL FOLKTALE TO WESTERN CHORAL CONCEPT: AN INQUIRY INTO KAYODE OGUNTADE’S ARRANGEMENT OF “OMO OBA SOKOTOâ€

Abstract

Recent studies have focused on the cultural exchange between traditional folk music and Western classical music which has often yielded captivating adaptations, bridging diverse musical heritages and transcending cultural boundaries. However, the adaptive ability of Nigerian composers to transform the monophonic materials of folk into the choral concept needs more scholarly attention. This study, therefore, examines the transformative journey of the traditional folk song "Omo Oba Sokoto" as it evolves from its original context into a Western choral arrangement arranged by Kayode Ogunbade. Data is drawn from oral interviews, biographical information, compositional analysis, and available literature with insights into Kayode Ogunbade's motivations, challenges, and aspirations during the arrangement process. The study revealed that elements of the folk narrative are preserved through the strategic use of vocal textures, rhythmic motifs, and harmonies that evoke the cultural context of the source material. Furthermore, the choral arrangement acts as a bridge between the traditional African folk heritage and the Western classical tradition, embodying a fusion of musical sensibilities. By exploring the convergence of tradition and innovation, this inquiry illuminates the transformative power of music in fostering cross-cultural appreciation and artistic evolution.